THE GOLDEN HERITAGE AND CONTEMPORARY DEVELOPMENT OF UZBEKISTAN’S PAINTING ART

Authors

  • Mashxura Rejabboy-qizi Soliyeva Namangan State Pedagogical Institute

Keywords:

painting, Uzbekistan art, mural painting, Afrosiyob, Varakhsha, Kamoliddin Behzod, monumental painting, national school of painting, artistic heritage, contemporary art, aesthetic thinking, fine arts

Abstract

This article examines the historical stages in the formation of Uzbekistan’s painting art and its role in the development of national artistic thought, from ancient mural painting traditions to the modern school of painting, through a scientific and theoretical perspective. The significance of painting art in shaping the spiritual values of the people, aesthetic education, national identity, and cultural memory is explored. In addition, the major representatives of Uzbekistan’s painting tradition, their artistic legacy, the creative explorations of the independence period, and the harmony of tradition and innovation in contemporary painting are thoroughly analyzed.

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Published

2026-06-14